| CHOICES MADE: Fathers and Sons
CHRISTINE MCMAHON
EXCERPTS: BOOK 2
Choices Made: Fathers and Sons
CHAPTER 1
Depression.
That’s what the
doctor at the private hospital had said, acute depression caused by
severe trauma.
Jamy drew an image of
a tiny man sitting in an oversized chair behind a desk. The placard on
the desk said, ‘Nut Doctor’. Opposite the doctor, he sketched his dad,
Paul, and their mutual friend, Syl Anderson, both with furrowed brows.
The picture made him snort in derision, “Hrumph.” Jamy could still hear
the doctor’s pencil tapping on the edge of his psychological profile.
Taptaptap.
He needed treatment more than I did.
“Obsessive Tapping Behavior.” “Hrumph.”
“Did you say
something, Jamy?” His dad asked from where he sat in the driver’s seat
of the Coppertone Dodge Charger racing south.
He didn’t answer.
“Your dad asked if
you said something,” Syl growled.
Jamy watched as Syl’s
muscular left arm straddled the front seat. The fire-breathing dragon
tattoo rippled as though alive. A ruggedly handsome face turned toward
him. Though stern, Syl’s lips twisted up in a nearly hidden smile.
“No, I didn’t,” he
answered and gazed out the window that still showed streaks from the
recent car wash.
Trauma. What
the hell did that pumped up Sigmund Freud know about trauma? Tapping
that stupid pencil of his every time I said something. Making notes on
that yellow pad he kept hidden from me as if the written language was
only for Ph. D’s.
Me? Jamy
Chance Chaumbers MacGregor? Trauma? So that’s what they call it when
you’re eighteen years old and you’ve been shot up. When a bullet is
still jammed up against your shoulder blade and you can feel it burn
every time you move. When every time you take a breath your lungs
scream. When you can’t look in the mirror anymore because your face got
blown up. And, those are the good things. Things that had meaning.
Things that got me away from the street.
What about the
bad things? What do they call the rapes and beatings I took while being
pimped? Men using me up and tossing me away with the garbage. What about
the torture from the gang — and the drugs? Heroin racing through my body
and wanting it so bad I could cry but hating it, hating it when it eased
my pain and made me feel safe. What about watching kids die with knives
stuck in them and no one caring? What about no one giving a damn — ever?
Trauma. What
the hell do they know?
Well, there goes St. Louis. No more Arch.
No more Forest Park Museum. No libraries. No more skyscrapers. No more
JamyNick. His son’s name lilted through his mind like music as he
said it in his own way, ShamyNeek. No
more, Nick. His friend’s name echoed like another note of music,
Neek. No more Professor Isaac Sands or Mr.
Gene Bradley. My son, my brother, my friends, all left behind because I
have to go into Witness Protection.
Jamy sketched from
memory the last time he saw them all months earlier. He drew his little
son, JamyNick, squealing with joy as Isaac, with his salt and pepper
hair, played on the floor with a small truck. He colored the truck red
with a pastel stick. Red Truck, translated to French, was their secret
password, Camion Rouge. It had been hard to phone them with all the
Bureau of Narcotics and Dangerous Drugs (BNDD) agents around, but a few
days ago, he managed. All he could say was, ‘Camion Rouge, Witness
Protection’. In his heart, he knew they understood he was safe and
headed away from them. Overhead in a cartoon bubble he wrote words to
exemplify the sputtering noises of a worn out engine. He added small
marks to make JamyNick’s curls appear to bounce about his cherubic face.
Taking two colors of pastel, he colored the curls auburn. He gently
touched the sketched face he dreamt of every night, the son he loved
more than life.
Another sketch
brought Gene Bradley into the scene. Gene’s right hand fingered the
lapel of his vest. Jamy thought of Gene’s old habit, which was all the
man could do with his hands when not busy writing out sales slips at his
art supplies business.
The sketch continued
with Nick, his ‘adopted’ brother from the street, standing by the entry
door of Isaac’s house. The worried look he drew on Nick’s face portrayed
a boy who didn’t know what to do next. Stringy black hair filled in the
area about the face. A pursed mouth hid his usual crooked smile
illustrating his dread at living in hiding with the kindly old
gentlemen. Nick, who had saved Jamy more than once from dying on the
street now needed saving, saving from the life he had dragged them into
by becoming the favorite dealer for the most powerful drug lord in the
Midwest. That same drug lord would kill them all, including his toddler
son, without a thought.
He swiped at a rogue
drop of moisture edging from the corner of his eye. These last memories
made his heart ache. His little son, JamyNick, had to be left behind. It
had been over two months since he’d seen him and had missed his second
birthday, May 17, on top of it all. He had been left behind with Nick in
their hiding place with the Professor and Mr. Bradley when he went to
save Syl from that same drug lord who was intent on killing him. Another
problem existed. They weren’t only hiding from the drug lords but also
from the BNDD agents who sat in the front seat of the Charger heading
south.
How many times had
Syl asked where they were? A million? Two? He didn’t answer and wouldn’t
even though Syl promised not to tell his dad, Paul, or his biological
father, James, to whom they were heading. A father he had never seen,
always wanted, and who didn’t know anything about him.
No. It was all a
secret. Witness Protection. The BNDD would hide him with his Uncle Sam
MacGregor, the sheriff of Juxton Township, who didn’t know he existed
until a few days ago. No one knew he existed, he guessed. His dad told
him that no one in Juxton knew he was James MacGregor’s son, not even
the MacGregor family, and everyone in St. Louis thought he was dead. The
BNDD had seen to that. A fake funeral. Obituary. Headlines in all the
St. Louis papers. Syl had shown him. “Street Lord of Forty-second
Neighborhood Dies in Gun Battle.”
Well, Nick, Professor
Sands, Mr. Bradley and JamyNick knew he still lived, but no one else. It
was too risky. If the drug lords, Granges or Robles, knew he breathed
air…
A POSSIBLE FRIEND: excerpt
from Ch 8:
“Looks like
he’s going to sleep all day, Sam,” Jeanne MacGregor said while hauling
the family’s laundry to the kitchen table to fold and sort. “I don’t
intend to run a hotel here.”
“Yesterday was tough
on him but you’re right, ten’s long enough to sleep. I’ll roust him
out.” Sam captured Jeanne in his arms and kissed her blond hair then
turned her around to kiss her lips.
“Sam, don’t. What if
he gets up?”
“Let him. If you
think I’m going to let you turn into an old school marm just because
there’s an adult kid in the house, you’re crazy. I’m not changing my
life. He’s got to change his, remember.” Sam kissed her pertly then
continued the kiss until she pushed him away.
“Then, you have your
work cut out for you. Go start changing him,” Jeanne laughed.
Knocking on the
bedroom door received no answer. Knocking harder only had the same
result, quiet. Wondering if Jamy skipped out, he stepped in. Jamy, knees
to his chest, lay on one side, facing away from the entry door as he had
the night before. Now, the brightness of the day filtered from the
skylight above Jamy’s bed; Sam sucked air in between his teeth in a
sympathetic hiss. Long vicious scars covered Jamy’s back. Some were more
than a foot long and the stitches that had at one time held the flesh
together, made ragged paths on either side of the raised scars. His back
was a maze. “My God, who did this to him?” Sam sighed. He reached a hand
out and touched Jamy’s shoulder.
Jamy’s subconscious
panicked. Hands in the night tearing me
from my bed. Feeling me. Hurting me. Raping me. Like a shot, he
bolted from the bed, fell onto the floor and scrambled away from the
touch. Cowering like a wounded animal in a cage, Jamy crouched near the
wall. His voice whispered a plea, “No. No. Don’t touch me anymore. Don’t
hurt me.”
“Jamy, it’s me. Sam.
It’s okay. I knocked, but you didn’t hear me.”
Coming to his senses and recognizing the man, Jamy pulled a sheet from
the bed and covered his naked lower self with it. Sitting on the bed, he
waited to see if Sam would advance toward him, when he didn’t, Jamy
apologized. “Sorry, Sam,” but didn’t offer more explanation. The
nightmare was just that, a nightmare. The hands touching him, hurting
him, were years ago and far away now.
“Jamy, my wife wants
to finish up breakfast before lunch time. We’re running late today. Get
some eats. Then we’ll get moving.”
“Do I have time for a
shower?”
“Shower up, get
going.”
Sam returned to the
kitchen and whispered in Jeanne’s ear, “Honey, treat him with kid
gloves. I want him to like it here. I want him to know he’s safe. We’ll
take it easy with punctuality and such for a few days, okay?”
“Thought you were
going to change him. Sounds like a different story now. What’s he done
to make you go soft on him already?”
“Nothing. I just saw
things in a different perspective and I think a soft touch will get us
where we want to go. Like a skittish colt. Dad always said even the most
skittish colt will give you his heart if you treat him right.”
PLANS GOING
AWRY: excerpts from CH 11
“Camion rouge,” Jamy
whispered the code words into the telephone and waited for a reply. He
kept an eye out for Sam who had walked up to the MacGregor House to see
his mother.
“Chance? Everything
okay?” Nick asked excitedly.
“Yes, can’t talk
long. Things are going well. I’m working at my father’s ranch but he
hasn’t talked to me yet about anything. The sheriff, he’s my uncle but
doesn’t know it, is nice but he’s always around. I’m not supposed to
call anyone in case Granges tries to find me.”
“You shouldn’t call
me.”
“Had to. Need to know
how you’re getting along. Need to know about JaNick.” He slipped into
the familiar soft pronunciation — ShaNeek, as he said his son’s name.
“Do you tell him every night that I love him?”
“Every night. I show
him your picture and he kisses it goodnight.”
“I want to talk to
him.”
Jamy waited while
Nick put JamyNick on the phone. Hearing the toddler’s voice say, “Hi,
Papa,” brought tears to his eyes. It hurt not to be there with him.
“JaNick, my little son. I love you. Mon petit fils. Je t’aime.”
Jamy talked a moment
to JamyNick then heard Nick return to the phone. “Chance, you can’t be
on long. You said. Have to tell you something.”
“What?” Jamy clutched
the telephone hard wanting to pull them through the line to where he
stood in the kitchen alcove of Sam’s house.
“My name’s not Nick
Bucharelli anymore, it’s Nick Bradley. Nick Eugene Bradley.”
“Why did you take Mr.
Bradley’s name? Was someone suspicious?”
“He adopted me. He
talked to my ma and she signed some papers. He’s my dad. I call him
that. Dad.”
Jamy listened as Nick
explained. He tried to grasp all he heard.
Adopted — Nick? Mr. Bradley? Hair cut, wow. Can’t imagine Nick with
short hair. Braces on his teeth. Tutor for his G.E.D.
“Nick,” again
familiarity leant the name to sound as ‘Neek’, “what about our plans
about living together and being a family when this all gets straightened
out?”
“Me and Dad talked
about that. He said it’ll be awhile before you straighten things out and
I should start working on my future.
PROOF:
excerpt from Ch 24:
Jamy waited until
James finished with the other men and watched as they headed away. He
warily moved closer until he stood only a few inches from him.
James turned; their
eyes met. James blazing black eyes bore into him. “What are you on? Your
eyes look weird, you on something?”
Jamy instinctively
knew his eyes had changed like a chameleon to a haunting translucence
that he had seen in the mirror only a few times in his life when he was
upset or angry.
Not knowing how to
explain, he ignored the question and said, “I’m Jamy.”
“I know what you’re
called. What’s your point?” James snapped.
“I’m your son, Jamy,”
he said calmly but felt an urgent need to flee.
Words filled with
anger bit at him, “You son of a bitch. I told you …”
Reaching into his
pocket, he removed the precious letter that was his only connection to
his father. He knew James would never believe a copy of a birth
certificate. The written words were of a father loving him, wanting him.
He extended it toward James. “I have a letter you wrote to my mother.
I’m Jamy.
“That’s why I was
cool toward Katie when she was always hanging around. I know she’s my
sister, but I wanted to give you a chance to tell Molly about me.”
Snatching the letter
from his hand, James quickly scanned the page.
“Dearest Chatelaine,
Our Jamy
is a handsome lad. Pride fills me each time I see the two of you…
You are my loves,
James
“What the hell is
this? Where did you get this?”
“You wrote it to my
mother. I’m Jamy.” He didn’t know what else to say. Certainly, his
father must recognize the letter.
“I’m your son. I
wrote to you when I was younger. My mother mailed the letters to you.
I’m him, I’m Jamy.”
“Anyone could have
written this. There’s no last name.” James grabbed the envelope. “No
return address. This is nothing but blackmail bullshit.” James crumpled
Jamy’s precious letter and tossed it to the ground.
“No. I’m him. I’m not
blackmailing you. I’m him.”
“You’ve waited a long
time. It must have killed you to wait until I got some of the stock sold
and this bumper crop harvested before you hit me up with this.
Blackmail. You white trash are all the same. Get out of my sight and off
my property now! I’m calling those agents and if they don’t get you out
of here, I’ll run you out myself,” James roared.
The urge to flee grew
stronger. He suddenly remembered the strong hand striking him to the
ground days earlier. I have to make him
listen. I have to convince him. Jamy’s words burst from him,
“Sir, my mother’s name was Chatelaine Chaumbers. I was born December 21,
1954, here in Juxton.”
“You two-bit thief.”
James raised a fist. His countenance terrified
Jamy. Blazing eyes, tense stiff body movements and his words sent shock
waves through him. Fearing he didn’t know what, Jamy tripped backwards
and fell to the ground. James grabbed his shirt and pulled him up,
screaming in his face, “This is your last warning. Shut your lying
mouth.
ANALYSIS:
excerpt from Ch 35:
“Chatelaine’s death. I should have been there for
Jamy. None of this would have happened.”
“You can’t change
that. Why do you think he shut down emotionally when he gave you the key
rather than when she died?”
“Haven’t a clue. Like
I said, he was safe.”
“It’s because he knew
you would read his picture diaries. You would
know, Paul. You would know
everything about him. All the things he did. The prostitution. Drugs,
taking and dealing. You would know and they were things you’ve spent
your life fighting against.”
“Of course I would
know, but why would that make him shut down emotionally? I mean, he
still has emotions. He cries.”
“The panic attacks he
experienced just before and during his time in Juxton resulted from
suppression of emotions. He cried in his sleep because he couldn’t
control his emotions then. The plan was to get out, give Syl the
information of the deals, and walk. After he rescued Syl, the BNDD
wanted more than a few dates and places; they wanted the entire drug
ring, including Robles.
“He said he gave up
the keys to the lockers with instructions that only some were to be
taken as evidence and Syl was to store the others, his personal items.
When the lockers were cleaned out, his personal diaries were taken, too.
Giving up all the picture diaries and testifying weren’t in his plan. He
never wanted you to know what happened to him.
“If he doesn’t allow
his emotions to rise to the surface; his upset, fears, hate over all of
it; he doesn’t face your possible criticism. If he doesn’t talk about
it, it doesn’t exist between you. He can try being fourteen-year-old
Jamy, the helpful polite boy you left behind. Hiding Chance’s tough
personality is costing him his emotional health.”
RUNNING:
excerpt from Ch 57
Jamy eased in the hidden door that led to the
bomb shelter in the basement of the Linders’ home. So many houses built
during the cold-war years had such strange rooms. Granges’ secret room
was another such bomb shelter.
Listening for any
unusual activities in the house and hearing none, he quietly made his
way up the narrow staircase to the studio over the garage. He always
figured there must be another entrance to the shelter from the first
floor but found no other secret panel elsewhere in the house, and the
concrete room offered only one entrance and one exit; those he used now.
An ear to the panel door of the studio told him no one had broken the
lock to enter, and he could return to it.
Once inside, he
quickly gathered the essentials he would take with him, a paint box that
carried sketching tools, the oil paints and brushes that were gifts from
Isaac, and the single-mast easel Paul had given him. Picking up a sharp
paint knife, Jamy cut the canvas he had painted of his family from the
frame and rolled it up. Around this, he placed another canvas, a
portrait of Isaac Sands and another of JamyNick, then tying them with a
heavy string that he looped into a carrying handle, he stepped across
the hall to the bedrooms.
JamyNick’s toys
were too many to take so he gathered a few special ones along with a few
of his favorite books. In his own room, he tossed some clothes into an
old duffel bag Paul used during the Vietnam War and stashed the few
remaining possessions he had from his mother in with them. A photo of
Paul, Jamy, and JamyNick, padded with an old fatigue jacket Paul once
wore dropped into the bag. With the bag full of possessions, Jamy
started back across the hall to the studio when Syl, standing on the
step, asked, “What’s that for?”
Heart skipping
more than one beat, Jamy recovered saying, “Packing for tomorrow. I need
to get some sketchbooks and I don’t want to forget them in the morning.
I thought this was good to put some of that heavier painting equipment
in. I don’t want anything broken.”
“Good idea. We’ll
have plenty to do in the morning,” Syl said, turning to go back
downstairs.
“Syl,” Jamy
reached into his shirt pocket, “I started some interview notes. Just a
couple. Want to see?”
“Sure.” Syl took
the note, read a bit and laughed, “This is some criteria. ‘Must bake
good chocolate chip cookies like the kind I had at home as a child. Must
allow chocolate milk with meals’.”
“It’s important.
JamyNick loves those things.”
Chuckling, Syl
answered, “And, so does Jamy.”
“Is that wrong?”
“Nah, kid. Nothing
wrong with that. Keep packing.”
Syl returned
downstairs while Jamy dragged his stash into the studio and crammed the
painting tools into the duffel bag. He slipped across to Paul’s bedroom
and stepped into the closet . With a houseful of BNDD agents, Paul
wasn’t wearing his service revolver, which Jamy now pulled from the
holster, checked for a load and slipped it into his waistband. Back in
the studio, he did a quick inventory, then re-locking the studio door,
he took one last look around and slipped back down the secret staircase.
WHERE TO NOW?
excerpt from Ch. 58:
Ian drove the
Cadillac slowly past the park Jamy had described in their conversation,
but didn’t see anyone waiting. Moving further down the block, he nearly
passed the park when a sudden noise from the rear caused him to hit the
brakes and look in the rearview mirror. A quiet tap on his driver’s
window had him looking into the barrel of a gun.
Lowering the window
he said, “Won’t need that nephew. I’m not the bad guy.” He leaned over
and pulled up the lock on the passenger door.
Jamy stretched an arm
in and opened the lock on the rear door then stashed his few possessions
in the back seat. Taking his place in the front seat, he said, “Glad to
see you, Uncle Ian.”
Ian smiled the
charming MacGregor smile, the same smile that won John MacGregor his
real estate clients and Sam MacGregor the returned smiles of the ladies
in Juxton along with plenty of votes when running for office. Nothing in
his smile foretold of a genetic link to James’ stern mouth. “Let’s get
something understood. The gun goes into the glove box or we’re not
moving.”
Nervously, Jamy set
the gun in the glove box and closed it.
Running, put Jamy on the
street. Running from the drug lords put him in Witness Protection.
Running again, where to now?
JOIN JAMY ON HIS CONTINUED
JOURNEY IN:
CHOICES MADE: FATHERS AND SONS |